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Rebecca Philipson’s How to Get Away with Murder intrigued me from the very beginning. It’s sharp, twisty, and tense, with character work that really stands out. I also love that it reads as a book within a book — one of my favourite narrative styles. This is the second story I’ve read this year that uses that structure. (I almost mentioned the first, but realized it would spoil it if you haven’t read it, so 🤐)
I really enjoyed listening to this one, especially how the tension builds in the first half. The audiobook performances elevate the story even further. Michael Geary and Tamsin Kennard bring it to life with dynamic deliveries that match the book’s shifting tones. Geary’s voice adds grit and contributed to the discomfort I felt listening to Denver (I mean that in the best way for a narrator!) while Kennard brings nuance and psychological depth to Sam. Together, they create a rhythm that feels immersive and cinematic.
I appreciate how the author balances suspense with character-driven storytelling. The pacing is clever; nothing felt rushed or dragged while I was listening. Though a few moments required a bit more suspension of disbelief, the reveals still landed with satisfying impact for me.
If you enjoy thrillers with layered characters, moral ambiguity, and a steady drip of tension, this audiobook is absolutely worth a listen. My earphones were glued to my ears. The combination of Philipson’s gripping narrative and the narrators’ compelling performances makes it a thoroughly enjoyable experience. This is a captivating debut, and I’m excited to see what the author writes next!
4.25 ⭐
Thank you to Macmillan Audio and NetGalley for the advance listening copy of How to Get Away with Murder by Rebecca Philipson; narrated by Michael Geary.
